Take a look at Wezile’s Mini Catalog in the link below :
Learning
Wezile Harmans : DO NOT CROSS THE BORDERS – Mini Catalogue
#ut-empty-space-657283425a23f { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283425a23f { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283425a23f { height: 32px; display: block; } } Take a look at Wezile's Mini Catalog in the link below : Mini Catalogue Read more »
Wezile Harmans :: DO NOT CROSS THE BORDERS
#ut-empty-space-657283426c975 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283426c975 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283426c975 { height: 32px; display: block; } } Take a look at Wezile's Mini Catalogue for "DO NOT CROSS THE BORDERS" Read more »
Background Information on Lwandiso Njara and his work
#ut-empty-space-657283426d77a { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283426d77a { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283426d77a { height: 32px; display: block; } } Growing-up in a traditional Xhosa household, Lwandiso Njara's Catholic schooling by nuns from India and Switzerland exposed him to different ideologies and technologies and [...] Read more »
Interview with Lwandiso Njara
#ut-empty-space-657283426eabc { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283426eabc { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283426eabc { height: 32px; display: block; } } Gallery: The title, ENGINEERING THE NEW JERUSALEM 111 – The Digital City (2021), implies that this exhibition is part of a series. How does the [...] Read more »
Interview with Diane Victor
#ut-empty-space-657283426fc51 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283426fc51 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283426fc51 { height: 32px; display: block; } } #ut-empty-space-657283427052e { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427052e { height: 32px; display: block; } } @media (max-width: 767px) [...] Read more »
Interview with Pauline Gutter
#ut-empty-space-6572834271822 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834271822 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834271822 { height: 32px; display: block; } } #ut-empty-space-65728342720b0 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-65728342720b0 { height: 32px; display: block; } } @media (max-width: 767px) [...] Read more »
Pauline Gutter :: Previous exhibition, PURGATORIUM catalogue
#ut-empty-space-6572834272fba { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834272fba { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834272fba { height: 32px; display: block; } } In 2015 the solo exhibition PURGATORIUM was exhibited at the at the ABSA Gallery in Johannesburg and in 2016 at the Johannes Stegmann Art Gallery [...] Read more »
Pauline Gutter :: Previous exhibition, STAND catalogue
#ut-empty-space-6572834274a0b { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834274a0b { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834274a0b { height: 32px; display: block; } } In 2010 and 2011, the exhibition entitled STAND, was exhibited at Aardkop, Potchefstroom and at the Volksblad Arts Festival in Bloemfontein. Click HERE to read the [...] Read more »
Pauline Gutter :: Looking back
#ut-empty-space-65728342760ee { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-65728342760ee { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-65728342760ee { height: 32px; display: block; } } Learn more about Pauline Gutter By clicking HERE you can watch various videos of Pauline, recording her journey as an artist. Click HERE to learn [...] Read more »
Bookings for Pauline Gutter :: Primordial
#ut-empty-space-65728342779c7 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-65728342779c7 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-65728342779c7 { height: 32px; display: block; } } This winter the UJ Art Gallery connects to the soil with Pauline Gutter’s new exhibition titled PRIMORDIAL that will be hosted from 9 June to [...] Read more »
Carbon dad 2017 (2020)
#ut-empty-space-65728342782fc { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-65728342782fc { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-65728342782fc { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon residue. Perspex rail. 110 x 440 cm R 1 344 065 I have represented my own body [...] Read more »
Homeland military epaulette 1989-94 (2020)
#ut-empty-space-65728342797fd { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-65728342797fd { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-65728342797fd { height: 32px; display: block; } } Hand incised, perforated blue carbon paper 29,7 x 21 cm Private Collection On the bodies of some Hiroshima survivors, the patterns on the [...] Read more »
Self portrait (2015)
#ut-empty-space-657283427a866 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427a866 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283427a866 { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon residue. 110 x 63 cm R 123 625 In 2014, I pursued a deep interest, researching the [...] Read more »
Collars in formation (2021)
#ut-empty-space-657283427ba91 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427ba91 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283427ba91 { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon residue. Perspex stand 120 x 7 cm R 301 875 Collars in formation is a column of [...] Read more »
Scholars and executives (2021)
#ut-empty-space-657283427cb27 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427cb27 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283427cb27 { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon thread, carbon residue. Each life-size R 553 438 Clothes are our outer coverings, they determine what we [...] Read more »
Veil 1954 (2016)
#ut-empty-space-657283427dd9f { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427dd9f { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283427dd9f { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon thread, carbon residue. 300 x 100 cm R 603 750 “My mother was my first country, the [...] Read more »
Ex unitate vires (2020)
#ut-empty-space-657283427f47d { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427f47d { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283427f47d { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon residue. 63 x 73 cm R 198 375 In this work, Paul Emmanuel continues his nuanced exploration [...] Read more »
Rough collar (2018)
#ut-empty-space-6572834280731 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834280731 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834280731 { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon thread, carbon residue. Perspex and wood display case 45 x 40 x 40 cm (excluding display case) [...] Read more »
Branded (2017)
#ut-empty-space-6572834281c61 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834281c61 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834281c61 { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon residue 100 x 250 cm R 247 970 On the bodies of some Hiroshima survivors, the patterns [...] Read more »
Rising-falling (2021)
#ut-empty-space-6572834283399 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834283399 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834283399 { height: 32px; display: block; } } 4K video, ± 4 mins (looped), stereo soundtrack Size variable R57,500 Click HERE to watch the video The video titled Rising-falling (2021) extends my interest in how [...] Read more »
Paul Emmanuel :: Carbon
#ut-empty-space-6572834284599 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834284599 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834284599 { height: 32px; display: block; } } The only certainty is change. We try to hold onto memories in the hope of maintaining some coherence and continuity, but our memories [...] Read more »
Bookings for Paul Emmanuel :: Substance of Shadows
#ut-empty-space-6572834285b1c { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834285b1c { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834285b1c { height: 32px; display: block; } } UJ Arts & Culture, a division of the Faculty of Art, Design & Architecture (FADA), and celebrated artist and the first ever Ampersand [...] Read more »
Bookings for Blind Alphabet :: Sculpture and Sound
#ut-empty-space-657283428643f { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283428643f { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283428643f { height: 32px; display: block; } } Last year during the Covid-19 lockdown, forty wooden forms representing the letter B in Willem Boshoff’s seminal work The Blind Alphabet (1991), were presented in [...] Read more »