Archives: Learning

Take a look at Wezile’s Mini Catalog in the link below :

Mini Catalogue

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Wezile Harmans : DO NOT CROSS THE BORDERS – Mini Catalogue

#ut-empty-space-657283425a23f { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283425a23f { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283425a23f { height: 32px; display: block; } } Take a look at Wezile's Mini Catalog in the link below : Mini Catalogue Read more »

Wezile Harmans :: DO NOT CROSS THE BORDERS

#ut-empty-space-657283426c975 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283426c975 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283426c975 { height: 32px; display: block; } } Take a look at Wezile's Mini Catalogue for "DO NOT CROSS THE BORDERS" Read more »
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Background Information on Lwandiso Njara and his work

#ut-empty-space-657283426d77a { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283426d77a { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283426d77a { height: 32px; display: block; } } Growing-up in a traditional Xhosa household, Lwandiso Njara's Catholic schooling by nuns from India and Switzerland exposed him to different ideologies and technologies and [...] Read more »
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Interview with Lwandiso Njara

#ut-empty-space-657283426eabc { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283426eabc { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283426eabc { height: 32px; display: block; } } Gallery: The title, ENGINEERING THE NEW JERUSALEM 111 – The Digital City (2021), implies that this exhibition is part of a series. How does the [...] Read more »
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Interview with Diane Victor

#ut-empty-space-657283426fc51 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283426fc51 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283426fc51 { height: 32px; display: block; } } #ut-empty-space-657283427052e { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427052e { height: 32px; display: block; } } @media (max-width: 767px) [...] Read more »
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Interview with Pauline Gutter

#ut-empty-space-6572834271822 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834271822 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834271822 { height: 32px; display: block; } } #ut-empty-space-65728342720b0 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-65728342720b0 { height: 32px; display: block; } } @media (max-width: 767px) [...] Read more »
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Pauline Gutter :: Previous exhibition, PURGATORIUM catalogue

#ut-empty-space-6572834272fba { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834272fba { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834272fba { height: 32px; display: block; } } In 2015 the solo exhibition PURGATORIUM was exhibited at the at the ABSA Gallery in Johannesburg and in 2016 at the Johannes Stegmann Art Gallery [...] Read more »
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Pauline Gutter :: Previous exhibition, STAND catalogue

#ut-empty-space-6572834274a0b { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834274a0b { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834274a0b { height: 32px; display: block; } } In 2010 and 2011, the exhibition entitled STAND, was exhibited at Aardkop, Potchefstroom and at the Volksblad Arts Festival in Bloemfontein. Click HERE to read the [...] Read more »
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Pauline Gutter :: Looking back

#ut-empty-space-65728342760ee { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-65728342760ee { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-65728342760ee { height: 32px; display: block; } } Learn more about Pauline Gutter   By clicking HERE you can watch various videos of Pauline, recording her journey as an artist.   Click HERE to learn [...] Read more »
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Bookings for Pauline Gutter :: Primordial

#ut-empty-space-65728342779c7 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-65728342779c7 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-65728342779c7 { height: 32px; display: block; } } This winter the UJ Art Gallery connects to the soil with Pauline Gutter’s new exhibition titled PRIMORDIAL that will be hosted from 9 June to [...] Read more »
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Carbon dad 2017 (2020)

#ut-empty-space-65728342782fc { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-65728342782fc { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-65728342782fc { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon residue. Perspex rail. 110 x 440 cm R 1 344 065 I have represented my own body [...] Read more »
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Homeland military epaulette 1989-94 (2020)

#ut-empty-space-65728342797fd { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-65728342797fd { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-65728342797fd { height: 32px; display: block; } } Hand incised, perforated blue carbon paper 29,7 x 21 cm Private Collection On the bodies of some Hiroshima survivors, the patterns on the [...] Read more »
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Self portrait (2015)

#ut-empty-space-657283427a866 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427a866 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283427a866 { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon residue. 110 x 63 cm R 123 625 In 2014, I pursued a deep interest, researching the [...] Read more »
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Collars in formation (2021)

#ut-empty-space-657283427ba91 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427ba91 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283427ba91 { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon residue. Perspex stand 120 x 7 cm R 301 875 Collars in formation is a column of [...] Read more »
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Scholars and executives (2021)

#ut-empty-space-657283427cb27 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427cb27 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283427cb27 { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon thread, carbon residue. Each life-size R 553 438 Clothes are our outer coverings, they determine what we [...] Read more »
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Veil 1954 (2016)

#ut-empty-space-657283427dd9f { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427dd9f { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283427dd9f { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon thread, carbon residue. 300 x 100 cm R 603 750 “My mother was my first country, the [...] Read more »
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Ex unitate vires (2020)

#ut-empty-space-657283427f47d { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283427f47d { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283427f47d { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon residue. 63 x 73 cm R 198 375 In this work, Paul Emmanuel continues his nuanced exploration [...] Read more »
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Rough collar (2018)

#ut-empty-space-6572834280731 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834280731 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834280731 { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon thread, carbon residue. Perspex and wood display case 45 x 40 x 40 cm (excluding display case) [...] Read more »
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Branded (2017)

#ut-empty-space-6572834281c61 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834281c61 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834281c61 { height: 32px; display: block; } } Hand incised, perforated carbon paper, carbon residue 100 x 250 cm R 247 970 On the bodies of some Hiroshima survivors, the patterns [...] Read more »
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Rising-falling (2021)

#ut-empty-space-6572834283399 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834283399 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834283399 { height: 32px; display: block; } } 4K video, ± 4 mins (looped), stereo soundtrack Size variable R57,500 Click HERE to watch the video The video titled Rising-falling (2021) extends my interest in how [...] Read more »
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Paul Emmanuel :: Carbon

#ut-empty-space-6572834284599 { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834284599 { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834284599 { height: 32px; display: block; } } The only certainty is change. We try to hold onto memories in the hope of maintaining some coherence and continuity, but our memories [...] Read more »
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Bookings for Paul Emmanuel :: Substance of Shadows

#ut-empty-space-6572834285b1c { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-6572834285b1c { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-6572834285b1c { height: 32px; display: block; } } UJ Arts & Culture, a division of the Faculty of Art, Design & Architecture (FADA), and celebrated artist and the first ever Ampersand [...] Read more »
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Bookings for Blind Alphabet :: Sculpture and Sound

#ut-empty-space-657283428643f { height: 32px } @media (min-width: 768px) and (max-width: 1200px) { #ut-empty-space-657283428643f { height: 32px; display: block; } } @media (max-width: 767px) { #ut-empty-space-657283428643f { height: 32px; display: block; } } Last year during the Covid-19 lockdown, forty wooden forms representing the letter B in Willem Boshoff’s seminal work The Blind Alphabet (1991), were presented in [...] Read more »