Cure :: Nhlanhla Nhlapo
The imagery deals with concepts of nostalgia, community, survival and decolonization and juxtaposes the portrait, interior, exterior and landscape to underline the fugitive nature of time. The skilled and compassionate portrayal of the people and places he draws and paints, in diffused and subtle colour harmony, create a mood of introspection but also confronts the viewer with serious issues around land expropriation and the trauma and transformation of a community in post-apartheid South Africa.
Through many personal and day-to-day conflicts growing up in rural Free State and later moving to Gauteng and city life, Nhlapo endeavours to create a personal narrative with this body of work, a symbolic longing to re-connect to the land of his ancestors.
His reference to the Dutch Baroque Interior paintings, for instance, reflect the firsthand experience of both his late grandmother and mother being domestic workers and the hardships he experienced due to their absence in his formative years during the Apartheid years. Whilst it might seem to be a strange choice to be working in European Classical style, the artist deliberately does so and attempt to decolonize one’s mindset through his practice.
About Nhlanhla Nhlapo
Born and raised in Namahadi in Frankfort in the Free State, Nhlanhla Nhlapo enrolled in 2012 at the Tshwane University of Technology (TUT) for a four-year BTech in Fine Arts. , where he also mentored and tutored first-year students in painting. He participated, amongst others, in the Thami Mnyele Art Competition Exhibition (2013) and presented a mini-solo exhibition as part of the Woordfees Visual Arts Program in 2018. During the same year, he was commissioned to complete a portrait of Mr Sakhi Simelane, Chairperson of the Unisa Council followed by an artist residency with Louis Jansen van Vuuren at La Creuzette in Boussac France. He was incorporated in the Lizamore Gallery and Associates Mentorship Program Award between 2017 and 2019 that culminated in a solo exhibition at Lizamore Gallery in 2019. He completed numerous commissions for both private and institutional clients and his work is collected locally and internationally.